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Highlights
Orquestra Jazz de Matosinhos with Kurt Rosenwinkel on the US
8th to 12th September – Iridium – NY – USA – 8:30pm
15th September – Berklee Performance Center - Boston – USA – 7:30pm
Music of Kurt Rosenwinkel; Arrangements - Carlos Azevedo, Pedro Guedes and Ohad Talmor; Direction – Carlos Azevedo and Pedro Guedes; Guitarist – Kurt Rosenwinkel
OJM and American guitar player Kurt Rosenwinkel present their new album “Kurt Rosenwinkel & OJM: Our Secret World” on the US. Rosenwinkel is known as one of the followers of Pat Metheny or John Scofield, but he has developed his own language.
“Follow the Songlines” with Maria João & Mário Laginha, David Linx & Diederick Wissels in Switzerland
Festival Villars de Vivre
11th September – Grande Salle du Villars Palace - Villars – Switzerland – 8:30pm
“Follow the Songlines”, a concert premiered on July the 7th, 2008 at Casa da Música, Porto, Portugal, is now presented in Switzerland.
This project takes us to the way which, all over the years, Australian aborigines guided themselves through the desolated desert lands, using singing references which worked as musical compasses, inherited through several generations. These ancestral “songlines” served as an inspiration to David Linx, Diederik Wissels, Maria João and Mário Laginha, who created and raised a group of songs which establish bridges between the all world. Songs are from Linx, João, Wissels and Laginha, with orchestrations from these last two.
Maria João & Mário Laginha return to Brazil ao to Madeira with “Chocolate”
Porto Alegre em Cena
15th September – Teatro Bourbon – Porto Alegre – Brazil – 9pm
16th September – Campinas - Brazil
Festival de Jazz do Garajau
19th September – Hotel D. Pedro Garajau – Santa Cruz - Madeira
Maria João & Mário Laginha return to Brazil and to Madeira with their latest work “Chocolate”, with concerts in Porto Alegre and Campinas (Brazil) and a performance at the no Festival de Jazz do Garajau, in Santa Cruz, Madeira.
“Chocolate” incorporates Maria João and Mário Laginha’s original themes as well as unusual recreations of themes as “When you wish upon a star” or “I’ve grown accustomed to her face”.